blue is the warmest color review

Blue Is the Warmest Colour is the only mainstream film so far to treat a lesbian affair on equal terms with a heterosexual one. Their love is cooling. His Palme d’Or-winning Blue Is the Warmest Color, based on Julie Maroh’s acclaimed graphic novel, is beholden to a less multi-ethnic premise, but it hums just as vibrantly in its articulation of the refulgent sense of electric connectivity that would seem to forever bind two women when they catch sight of each other while crossing a busy city street. Matt reviews Abdellatif Kechiche's Blue Is the Warmest Color starring Adèle Exarchopoulos and Lea Seydoux. Director: Abdellatif Kechiche. A handsome male classmate falls for her, but an unsettling erotic reverie upsets the romance before it begins. In the aftermath of viewing, this strikes one as odd. While this epic didn’t blow me away as Weekend did, it certainly was a fascinating, intelligent work that justifies its 3-hour length on an intellectual level, even if not an emotional one. The are multiple explicit love scenes between two women with graphic nudity. Led by this internal dissent, the film's critical tide may be slowing, if not turning. The second charge, that it is exploitative or inauthentic, is also naive. Big success in the film business often means opening a can of worms along with the champagne. If you like this, also read The Fault in Our Stars or This One Summer. The explicit sex certainly grabs the attention, but Blue Is the Warmest Color offers the adult viewer a great deal more to ponder. The cockeyed open-heartedness of Kechiche's conception yields a girl-meets-girl-and-so-on story of three hours. Having a healthy "love" for the female form, one may sensibly argue, is not the same thing as leering at it. Become a member to write your own review. The two women meet when Adéle is about to finish high school, and Emma has started college. Review by Philipp Frank ★★★ That was long and intense! When we first meet Adele, she's a junior in high … The Times critic A. O. Scott reviews "Blue is the Warmest Color." Pre-publication book reviews and features keeping readers and industry influencers in the know since 1933. Yes, Kechiche is a male depicting lesbian love; and yes, he's a heterosexual male depicting lesbian love enacted between two very attractive actresses. “Blue Is the Warmest Color,” which has now opened in the United States, is a sexual coming-of-age story about a French provincial voluptuary, Adèle (Ms. Exarchopoulos). Blue Is the Warmest Colour really is an outstanding film and the performances from Exarchopoulos and Séydoux make other people's acting look very weak. Léa Seydoux (l.) is an art school grad student and Adèle Exarchopoulos is a confused 15-year-old when they meet in "Blue Is the Warmest Color." Blue is the Warmest Color is a masterpiece of human warmth, empathy and generosity, because in a mere three hours, it gives you a whole new life to have lived. The most explicit scene lasts nearly 7 minutes. The 2 women kiss passionately and strip nude, and suck on each others breasts. Blue is the Warmest Color triumphantly revealed love in the extremes, both in its beauty and in its monstrosity. When the love affair starts, Emma has blue hair; as it proceeds, the blue colour grows out. Run time: 179 minutes. Neither gives off the slightest hint of working to achieve or inhabit an emotional effect. The movie's final sequence is heart-stoppingly ambiguous. It is no more authentic or inauthentic than any sex scene, or washing-up scene, or checking-in-at-the-airport scene. Abdellatif Kechiche's epic film evokes love in its purest and most passionate form – intense, cataclysmic and unforgettable. Seydoux and Exarchopoulos have since said he was oppressive, intrusive, and even tyrannical in the demands he made, especially in the extended explicit sex scene, which took fully 10 days to shoot. Review: Before Turning Histrionic, Uncle Frank Is a Tender Look at Outsider Kinship. At the outset, Exarchopoulos's Adèle is a shy, smart high-schooler who finds that she is lonely and tentative in her social life. Kechiche sketches this out by having Emma bring Adèle around for dinner with her mum and stepdad. The notion that they can each go on to find a better or richer experience is illusory. BLUE IS THE WARMEST COLOR is an abhorrent French drama about a torrid lesbian affair between a young artist and a young teacher. First Kechiche throws the viewer into the world of Adèle (Adèle Exarchopolous), a wide-eyed high-school beauty who should, by the standards of her classmates, be wowing the boys, but instead almost breaks the heart of the one fellow she experimentally dates. The sequence certainly strikes me as uncompromising and less exploitative than any smug softcore romcom or mainstream thriller in which women's implied sexual availability is casually served up as part of the entertainment, although I will concede one tiny moment of misjudgment: when Emma is painting a nude of Adèle (unfortunately like Leo and Kate in Titanic) and the camera travels up her naked body. Blue Is the Warmest Color is an alright work that has, at its center, an interesting examination of a common story. Watched it in three parts spread over several days. It no longer looks melodramatic, but rather the icy and violent culmination of a hitherto invisible disconnect between the two women. “Blue Is the Warmest Color,” Abdellatif Kechiche’s long, sprawling, boldly immersive coming-of-age drama, works just this sort of magic. It’s a French romance-drama weighing in at almost three hours and featuring more dialogue than you could shake a … In detailing the relationship between blue-collar Adèle (Adèle Exarchopoulos), 15, and Emma (Léa Seydoux), an older, sophisticated art student, Blue Is the Warmest Color … Adèle, played by Exarchopoulos, is the sympathetic centre of the story, a schoolgirl at the beginning and a teacher by the end: the two chapters of innocence and experience. The audacity of director Abdellatif Kechiche's "Blue Is The Warmest Color" lies not so much in the fact that it tells the story of a same-sex first love than in that it tells this story in what some would consider epic detail. Parents need to know that Blue Is the Warmest Color is a French drama with English subtitles that chronicles a high school girl as she matures emotionally and sexually over about 10 years. Oddly, after going to great pains to establish the homophobia of Adèle's high-school could-become-mean-girl chums, Kechiche doesn't depict the way it might have deposited any fallout in Adèle's life as she moves from school to apprenticeship teaching; nor, after showing a "we're just study friends" dinner at which Adèle introduces Emma to her parents, do we see any of Adele's family life after she moves in with Emma. He has written for a host of other publications and resides in Brooklyn. Blue Is the Warmest Colour really is an outstanding film and the performances from Exarchopoulos and Séydoux make other people's acting look very weak. They aren't hours that fly by, either, nor are they meant to; Kechiche, who as it happens is here adapting a graphic novel by Julie Maroh, intends for his viewers to luxuriate and/or empathize in and on particular details. Blue Is the Warmest Colour should, by all rights, be a bit of a struggle. 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