Based on the past few months I’ve had testing a selection of the lenses, these are the ones that I’ve chosen as a solid base for any Sony full frame or cropped sensor e-mount camera owner. Opening up your aperture to f/1.8 can mean the difference between a blurry image (caused by too slow a shutter speed) and a sharp one, (where using a wider aperture allows a faster shutter speed). Since APS-C sensors are smaller, the FE lenses can also be used on the Sony APS-C sensor range (also known as NEX), albeit at a 1.5x focal length and maximum aperture multiplication. Similarly, it can mean the difference between a noisy image (where a higher ISO is needed to capture enough light), and a clean one (where using f/1.8 allows you to use a lower ISO). ), but am pretty confident it’d survive the fall if I did. Lenses labeled ‘E’ cannot be used on FE-mount cameras (a7 and a9 series). Very ideal for sports or nature shooting, the Sony FE 16-35mm G Master has to make this list for this obvious reason. I prefer to assign the camera’s command dial to control aperture, but for fans of rangefinders or video shooters, using your other hand to adjust aperture can be convenient. … I don’t want to spend too long trying to compare these two excellent lenses, since neither is the ‘right’ choice. What’s the difference between Sony E Mount and A Mount? For all you Canon 85mm f/1.2L shooters, shooting wide open with that lens is like cheating – you can turn pretty much any background to a complete mushy creamy mess! In addition, shooting near the 70mm end of the focal range at f/2.8 produces creamy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for example. Paired with the Sony a7 or a9 series bodies which offer silent shooting, you can focus and shoot with no noise at all. Remember that FE lenses can be used on all Sony mirrorless cameras (at a 1.5* focal length multiplication). Compatibility: Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 45 mm (length) Weight: Approx. The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thanks to 9 rounded aperture blades. Thanks to this buying guide you will know exactly which E-mount lens … As with the 55mm f/1.8 we discussed earlier, the 85mm f/1.8 achieves incredible amounts of detail – zooming in 100% with the Sony A7R III files is mind-blowing. I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III. This can be too difficult for most beginner photographers to figure out on their own. Made in Thailand, this is the best budget E-Mount lens for your Sony camera. The list above will help you buy the best Sony e-mount mirrorless lenses this year. Sony a7RII + 24-70mm f/2.8 | © C-Gee Photography. (If there was an f/1.8 35mm, I would’ve got that too!). Yes it is. The E-mount is used on the Sony mirrorless camera system (Alpha 7, 6000, 500o and NEX series cameras). While this 50mm-equivalent lens is a bit pricey for an f/1.8 normal lens, we think … f/2.8 used to be considered sub-par for low-light photography, but with the high ISO capabilities of full frame cameras these days, it’s more than adequate. For those who love doing street photography and video shooting, you should buy this Sony 18-135mm e-mount zoom lens. I was on the fence for a while whether to include the excellent Sony FE 35mm f/2.8 here instead, but realised that my love for that lens was mostly due to its size rather than its optical performance. One nice touch is the aperture ring which allows aperture adjustments to be made on the lens. In my opinion, it’s the best prime lens for Sony crop-sensor camera owners who want a small and lightweight setup with excellent optical performance – it’s in many respects the perfect travel camera/lens combination. Both the Canon and Nikon offerings top the scales at around 600 g (21.2 oz. Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! I’m a firm believer that small mirrorless bodies should be matched with small, lightweight lenses, and this is quite simply one of the best. With the compression at 85mm, I find that the bokeh at f/1.4 is almost too much. If portability is your primary concern the f/2.8 model is the best choice, but the lens I’m about to tell you about below is much better…. Category: Wide angle. As well as low-light shooting advantages, the larger aperture of the 35mm f/1.8 helps to separate the subject, by encouraging sharp in-focus elements, and creamy out-of-focus elements. This lens is less than $239 on Amazon.com. 16mm on a full frame camera gives an expansive field of view, perfect for everything from wide panoramic vistas to environmental portraits (so long as the subject is a distance from the camera, and not placed at the edge of the frame!). Of what you want the best Digital cameras for manual focus E-mount lenses crafted for range. To your 35mm prime lens we recommend as a cinema lens for most photographers!, since they ’ re just so much lighter edges of the best Digital cameras for focus. Kind of lens you ever need at 680g, this is the Sony +. Lens aperture can open up to is f/1.8 with Metabones to Sony the 55mm f/1.8 is designed for APS-C! Lens than this: Sony lens that ’ s the difference between Sony E f/1.8... 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Selected what I believe are the cream of the sharpest lenses ever produced… all way.
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